![]() It was changed from Beck to Beth by Bob Ezrin."ħ. Peter Criss: “The melody for the song came to me on a train going to New York City, and Stan and I worked on it to finish it. They achieved this with a lushly orchestrated ballad called Beth, a song that originally had its genesis from Peter Criss’s band Lips. With Destroyer it was crucial that they capitalise upon that success. Riding high on the massive success of their 1975 album Alive!, Kiss had finally broken through in the big leagues of rock. The bass line from Detroit Rock City is similar, but it’s not the same thing note for note." That’s the bass line from his song Shaft. It’s very R&B, almost like the song Freddie’s Dead by Issac Hayes. Gene Simmons: “The bass part is very nontypical of me. The classic bass line underpinning the verses to Detroit Rock City were borrowed from an unlikely source. ![]() And it’s not because I’m some kind of musicology major. It is pretty well an old-fashioned flamenco theme adapted to hard rock music. I wrote that in my head I don’t think I actually picked up an instrument. I felt like this was the sequence where he was driving and this would be the music that would go underneath it. We got to the point that we had seen the introduction and met the characters, and it was time to set up a little tension with a moment of high drama. With its Spanish flamenco flavour and flair the signature lead guitar solo that explodes at the centre of Detroit Rock City was an idea that came from producer Bob Ezrin.īob Ezrin: “I wrote the guitar solo on Detroit Rock City. It was trying to get the best out of us and try to get us to set a new standard for ourselves.” Really what it was was musical boot camp. That’s pretty funny when you’re selling out arenas and you have somebody in the studio that’s treating you like an imbecile. He was not above pointing a finger in your face and yelling at you. Paul Stanley: “ would blow the whistle and call us ‘campers’. During the recording of Destroyer, Ezrin wore a whistle like a camp counsellor, which he’d use to keep Kiss in line. Whether working with Alice Cooper, Pink Floyd, Deep Purple, Kiss or any of his other clients, producer Bob Ezrin is a wellknown task master in the recording studio. If you listen to this opening through headphones, you get this eerie feeling that this is all happening to you.” Unveiling its tale of an unlucky teenager tragically killed in an automobile accident on his way to a Kiss show, in the song’s introduction, producer Bob Ezrin is the voice you hear as the newscaster reporting this tragic tale.Ĭorky Stasiak (engineer): “We put his voice through a little radio and recorded it off the radio. If you believe that any review contained on our site infringes upon your copyright, please email us.Detroit Rock City is a colossal mind movie, a cinemascope fantasia of sound and fury. All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto.If you have any suggestions or comments on the guidelines, please email us. We cannot post your review if it violates these guidelines. ![]() Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.Please do not use inappropriate language, including profanity, vulgarity, or obscenity. Be respectful of artists, readers, and your fellow reviewers.Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.Are you a beginner who started playing last month? Do you usually like this style of music? Consider writing about your experience and musical tastes.Do you like the artist? Is the transcription accurate? Is it a good teaching tool? Explain exactly why you liked or disliked the product. ![]()
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